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Post by lemacd on Nov 6, 2017 8:04:00 GMT
The children... do they look like they are going to be helpful? Yeah, no... I know that for a lot of people who grew up watching this movie, the children were a favorite part of the movie. I'll be honest, not for me. Even as a kid, I was all about the romance between the Captain and Maria. I mean, I didn't dislike them. Part of this might be that I listened to the original Broadway recording pretty much everyday and the voices of the children did nothing to endear them to me. But we need them because without them, Maria never meets the Captain. I will say the casting was pretty much perfect. I can't really find a flaw, can you? Please discuss anything you want about the children, especially at this particular point in the film.
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Post by absurdlittlebird on Nov 6, 2017 8:24:39 GMT
I always really loved how even though they range greatly in hair and eye colour, on the whole they all look like they could be siblings. Maybe it's the noses... they all have fairly angular noses. Maybe it's the fact that they didn't set out to find kids who were a carbon copy of each other so the similarities and differences are more subtle and therefore it's more believable that they are a family. (I know genetic variation isn't the same for all families, but in mine- I have black hair, fair skin and bright blue eyes, one brother has tanned skin, blue eyes and light brown hair, the other brother has fair skin, brown eyes and black hair and my sister has tanned skin, black eyes and black hair.... we vary a lot but all together are clearly siblings, so maybe I just relate to this variation but similarity look in the von Trapp kids)... I'm rambling.
No. They certainly don't look like kids who would be helpful. Some are scowling though while others look more wary than angry. I love Marta's expression, like she is trying so hard to scowl but doesn't have it in her. So precious!
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Post by indigoblue on Nov 8, 2017 22:52:46 GMT
From my basic understanding of genetics, can we assume that Agathe probably had sandy coloured hair, and was medium height, with a medium-to-small face ?!
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Post by gothicbutterfly95 on Nov 9, 2017 8:55:20 GMT
I subscribe to that idea. In my mind, Agathe looks like a blonde Liesl. And yes, they all look like siblings - absurdlittlebird's comment about the noses amused me. Yeah, at this point they don't look like they're going to help her. Kurt looks skeptical and the rest have expressions of veiled contempt. Though honestly all I can think of with Friedrich at this point (most of the film actually) is Nicholas thinking 'that's Eliza Doolittle'. Not so obvious in this screencap, but there is a moment in the scene where I think his expression says that. Also, the children were never a huge draw for me when I was little - it was all about the wedding. The bigger question is does Georg know they're not going to help?
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Post by indigoblue on Nov 12, 2017 23:56:34 GMT
I was trying to work out their film ages, because some of them do seem very close in age: my guesses are:
Liesl 16 (Going on 21) Friedrich 13 Louisa 13 Kurt 10 Brigitta 10 Marta 7 Gretl 5 (I think she held up her 5 fingers at the beginning).
This would require there to be 2 sets of non-identical twins, which is possible (although we hear nothing about it), or I suppose a 10-11 month gap between Friedrich and Louisa, and between Kurt and Brigitta could also be possible. Quite likely in a Catholic family, but what hard work for Agathe! Especially when her husband was not really a kiddies' man!
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Post by gothicbutterfly95 on Nov 13, 2017 2:37:51 GMT
Their ages weren't that far off what you mentioned in reality, so it did somehow work. Kurt's meant to be eleven, and in the musical Brigitta's nine, so I feel they're both just missing the 10 (Kurt's just turned 11 , Brigitta's just turned 10) and therefore having to be twins. As for Friedrich and Louisa, same thing; he's edging ahead by less than a year - which was the case with Agathe and Maria (#2 and #3) in reality, who were born in 1913 and 1914 respectively.
The actors on the other hand were a little different: Charmian = 21 (going on 22) Nicholas = 13/14 (birthday during filming) Heather = 14 Duane = 13 Angela = 11/12 (birthday during filming) Debbie = 7/8 (birthday during filming) Kym = 5/6 (birthday during filming)
I was watching a featurette with them yesterday so it's fresh in my mind.
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Post by gothicbutterfly95 on Nov 13, 2017 2:42:01 GMT
And with my stories I've written myself into a corner where Gretl's birthday doesn't work. I've said it's around August/September because that's when Agathe died, but with the year I've given it she wouldn't be five when we meet her. Aargh!
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Post by augiesannie on Nov 24, 2017 15:45:07 GMT
Yikes, I asked the question about the children being helpful in the last discussion, sorry! I did kind of identify with the children but of course since I *clears throat* was around earlier than the rest of you, I was originally under the sway of the Broadway musical, and yuck M&G in that version. That love story has no punch at all. I love the way they could look like real siblings, and I love the close spacing. Ignoring historical reality, I like the idea that every time G is home on leave, a new baby is started and that they like it that way. Someday I am going to go all "Rebecca" and write a fic where Agathe is quite evil.
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Post by reverendcaptain on Oct 8, 2020 4:13:44 GMT
I was thinking today about how the boys are treated differently from the girls. Kurt and Friedrich are the only ones that Georg corrects as they stand in line to meet Maria. They sit in the back of the carriage with their legs hanging off during do-re-mi. They are rowing the boat before everyone stands up and tips it. They are steering/pushing the car during the escape. It's not as if there are no gender roles now, but it was just something that jumped out at me more than usual the last time I watched.
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Post by indigoblue on Oct 9, 2020 22:18:10 GMT
In that sort of household (upper class, military father etc) in that period, the gender roles were very well-described and rigid.
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Post by reverendcaptain on May 15, 2021 21:40:48 GMT
Who do you think was the mastermind of the pranks? They all probably have their specialties (Friedrich standing through this whole introduction with a frog in his pocket, Louisa able to scale the side of the house with a jar of spiders, etc), but do you think any of them was the decision maker on what pranks would happen when?
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Post by indigoblue on May 19, 2021 22:34:55 GMT
I have to say that I think it is Louisa. She's old enough and slightly sly enough to think up these things, whilst Friedrich isn't really 'naughty' enough, although he is probably put up to do things like plant the frog in Maria's pocket.Somehow Liesl seems too old and has her eye on higher things like Rolf!
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Post by reverendcaptain on Sept 1, 2022 19:31:41 GMT
Who do you think is in charge of the children's clothes? They all have matching uniforms for during the day, but in the evening, Liesl is allowed to wear nylons and kitten heels, whereas Louisa and the other younger girls wear tights and mary janes. Did Frau Schmidt handle this transition? The captain doesn't seem to notice that there is a difference between his 16 year old and his 5 year old (at least outwardly), so I can't picture him being involved.
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Post by indigoblue on Sept 4, 2022 22:43:06 GMT
I can imagine the captain responding to a request from either Liesl or Frau Schmidt for Liesl to have some more grown-up clothes when she reaches 16.
It might only be a wave of acquiescence, but it would mean that she could be taken down into Salzburg for an all-important shopping trip for some pretty clothes...
Actually I think there were more staff behind the scenes to manage the kids, including nursery maids and staff to manage all those clothes and their washing, so Frau Schmidt as Housekeeper would probably not be the one in charge of all that. A large family and household like at the villa would need lots of staff to keep it all running as militarily smoothly as the captain would require!
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